“His fingers wrap /
around her neck. /
This necklace is /
the present no one /
asked for.”
She mistakes blood for love,
which is why each time
his hands ache from
the punches or
her stomach is
smeared red,
her eyes gloss over
starry-eyed.
This, she thinks,
is what her mother meant
by “an endless honeymoon.”
She mistakes blood for love,
which is why when she looks
at her bony knees,
scabbed and dyed purple,
she smiles.
Her hands trace the
coarse surface,
each bump a love letter
typed in bangs and cracks.
This, she thinks,
is what her mother meant
by “modern romance.”
She mistakes blood for love,
which is why when he
comes home at 12:27 a.m.
on valentine’s day,
drunk on cheap liquor
and stale cigarettes,
she glows.
“Would you turn that down?”
he says,
“it’s too damn bright.”
She’s confused.
She thought he liked it
when her open wounds
glistened in the moonlight.
She mistakes blood for love,
which is why when he
approaches her,
eyes shaded a darker blue,
she does not cower.
His fingers wrap
around her neck.
This necklace is
the present no one
asked for.
A bouquet of
violet irises
and pale blue bellflowers
sprout from her throat.
He lets go.
So does she.
“There,”
he says to
her limp body
now glowing a different way,
“A little color to remind you
of my arrow.”